Tickets for Cox and Box/Trial by Jury
Summary – Cox and Box
Cox and Box; or, The Long-Lost Brothers, is a one-act comic opera with a libretto by F. C. Burnand and music by Arthur Sullivan, based on the 1847 farce Box and Cox by John Maddison Morton. It was Sullivan’s first successful comic opera. The story concerns a landlord who lets a room to two lodgers, one who works at night and one who works during the day. When one of them has the day off, they meet each other in the room and tempers flare. Sullivan wrote this piece five years before his first opera with W. S. Gilbert, Thespis.
The piece premiered in 1866 and was seen a few times at charity benefits in 1867. Once given a professional production in 1869, it became popular, running for 264 performances and enjoying many revivals and further charity performances. During the 20th century, it was frequently played by the D’Oyly Carte Opera Company in an abridged version, as a curtain raiser for the shorter Gilbert and Sullivan operas. It has been played by numerous professional and amateur companies throughout the world and continues to be frequently produced. (from Wikipedia Cox and Box)
|James John Cox||Laurence Cox|
|John James Box||Carl Dahlquist|
|Sergeant Bouncer||Jonny Roberts|
|Man on Street||Dennis Britten|
Summary – Trial by Jury
Trial by Jury is a comic opera in one act, with music by Arthur Sullivan and libretto by W. S. Gilbert. It was first produced on 25 March 1875, at London’s Royalty Theatre, where it initially ran for 131 performances and was considered a hit, receiving critical praise and outrunning its popular companion piece, Jacques Offenbach’s La Périchole. The story concerns a “breach of promise of marriage” lawsuit in which the judge and legal system are the objects of lighthearted satire. Gilbert based the libretto of Trial by Jury on an operetta parody that he had written in 1868.
The opera premiered more than three years after Gilbert and Sullivan’s only previous collaboration, Thespis, an 1871–72 Christmas season entertainment. In the intervening years, both the author and composer were busy with separate projects. Beginning in 1873, Gilbert tried several times to get the opera produced before the impresario Richard D’Oyly Carte suggested that he collaborate on it with Sullivan. Sullivan was pleased with the piece and promptly wrote the music.
As with most Gilbert and Sullivan operas, the plot of Trial by Jury is ludicrous, but the characters behave as if the events were perfectly reasonable. This narrative technique blunts some of the pointed barbs aimed at hypocrisy, especially of those in authority, and the sometimes base motives of supposedly respectable people and institutions. These themes became favourites of Gilbert through the rest of his collaborations with Sullivan. Critics and audiences praised how well Sullivan’s witty and good-humoured music complemented Gilbert’s satire. The success of Trial by Jury launched the famous series of 13 collaborative works between Gilbert and Sullivan that came to be known as the Savoy Operas.
After its original production in 1875, Trial by Jury toured widely in Britain and elsewhere and was frequently revived and recorded. It also became popular as a part of charity benefits. The work continues to be frequently played, especially as a companion piece to other short Gilbert and Sullivan operas or other works. According to the theatre scholar Kurt Gänzl, it is “probably the most successful British one-act operetta of all time”. (from Wikipedia Trial by Jury)
|The Learned Judge||Mike Mendyke|
|The Plaintiff||Becca Stuhlbarg|
|The Defendant||Tom Hamann|
|Counsel for the Plaintiff||Ken Malucelli|
|Foreman of the Jury||Marcos Galvez|
|First Bridesmaid||Mandee Light|
Gentlemen of the Jury
|Anne Kalibaba Larkin|
|Michael J. McGee|
|Asst. Director||Beth Kahlen|
|Musical Director||Dr. Linda Smith|
|Asst. Musical Director||Lindsey Lefler|
|Production Technical Director||Dennis Freeze|
|Stage Manager/Prop Master||Amy Barnhart|
|Lighting Design||Dennis Britten|
|Box Office Manager||TBD|
|House Manager||Janelle Reinhardt|
|Costume Coordinator||Amy Barnhart|
|Membership||Dr. Linda Smith|
|Program and Web Site||Sheryl Wood|